Glenn Frankel

REVIEWS

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"When Frankel praises Schlesinger for his 'natural curiosity, humor' and 'keen eye for quirky stories and intriguing characters', he could be talking about himself. A Pulitzer-winning reporter for the Washington Post and the author of books about High Noon and The Searchers, he is a tireless researcher and a thoughtful analyst, two qualities essential for good nonfiction. But what takes this book from good to great is his graceful writing and the intelligence he brings to everything he examines....This book (is) much more than a page-turner. It’s the first essential work of cultural history of the new decade." --Charles Kaiser, The Guardian

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"Frankel's book is generous with context, butnit is, essentiallt, the biography of a movie. He has also written books on The Searchers and High Noon. These have the same interest that biogrsaphies of famus people do: they show us the 'what if's and the 'but for's hiding in the backstory of the finished product."

--Louis Menand, The New Yorker

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"Frankel’s book (is) a masterfully structured study bursting with detail and context....Revealing details permeate Frankel’s book, touching on the making of the movie (you’ll likely never think about casting in the same way), the individuals involved, and the social history of the time and place. Frankel puts it all together with narrative verve, telling a propulsive tale about creativity, commerce and loss." --Chris Vognar, USA Today

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"Shooting Midnight Cowboy is a history, not a paean, and he asks viewers to reconsider what the movie meant, not just to American culture, but to the cast and crew who made it. Frankel's book is a must-read for anyone interested in cinematic history, and an enthralling look at Schlesinger's "dark, difficult masterpiece and the deeply gifted and flawed men and women who made it." --Michael Schaub,

National Public Radio

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"In this outstanding work . . . [Glenn Frankel] covers every facet of [Midnight Cowboy's] creation . . . In a canny move, Frankel places the film in historical context, detailing major world events at the time of the shoot, including the Vietnam War, New York’s ‘downward path to seemingly terminal decline,’ and the Stonewall riots . . . Interviews with the film’s surviving principals add immediacy, and descriptions of small production details enhance the book’s power . . . A rare cinema book that is as mesmerizing as its subject.” —Kirkus Reviews (starred review)

“A vivid chronicle . . . Frankel offers behind-the-scenes anecdotes . . . [and] also renders the social upheaval of the era—the Stonewall riots, antiwar protests, racial unrest—and the window between the collapse of old Hollywood’s heavy censorship and the rise of the profit-oriented blockbusters when Midnight Cowboy was made. This enthralling account of a boundary-breaking film is catnip for film buffs.” —Publishers Weekly (starred review)

“From the author of the splendid The Searchers (2013) comes another making-of book that transcends the genre. This is no mere story of the production of [Midnight Cowboy]; instead, it offers in-depth portraits of the man who created the characters of Joe Buck and Ratso Rizzo . . . and the men who gave them cinematic life . . . Frankel, who won a Pulitzer in 1989 for international reporting, brings a reporter’s eye to the story . . . Midnight Cowboy is an acknowledged classic of American cinema, and Frankel provides us with the context we need to fully appreciate the film as a vivid snapshot of a specific time and place in American history.” —David Pitt, Booklist (starred review)

"Through the prism of a compassionate, taboo-busting movie, Glenn Frankel has given us a master class in filmmaking that doubles as a rich cultural history of a tumultuous epoch. Shooting Midnight Cowboy takes us from Swinging London to gritty late sixties New York to the creative ferment of the New Hollywood, in a consistently entertaining tour full of vibrant, indelible characters. I loved this book." 
—Margaret Talbot, staff writer at The New Yorker and author of The Entertainer: Movies, Magic, and My Father's Twentieth Century

"The 'biography' of a film—how it got made, the background of everyone involved, what we made of it then and what we make of it now—may be my favorite genre, and Glenn Frankel is unexcelled as a master of the form. Here with his usual meticulous research he outdoes himself with Midnight Cowboy, a film particularly resonant for the taboos it broke and its surprising success at a transitional moment in our cultural history. All the backstories provide rich reading, unearthing little-known facts that illuminate whole careers. Shooting Midnight Cowboy is many things, but most thrillingly it is the story of how three outsiders—gay novelist, gay director and blacklisted screenwriter—furthered the acceptance of gay themes in books and movies by making a film about human loss." 
—Molly Haskell, author of Steven Spielberg: A Life in Films and From Reverence to Rape

"Midnight Cowboy was one of my favorite movies ever—dark, soulful, with an odd couple of 'losers' who won at the game of friendship. But Glenn Frankel's book goes far beyond doing the epic film justice. Creating a compelling narrative of a vibrant, roiling, unexpected chain of creatives that spanned from Black Mountain College in 1947 to the movie's release at the tail end of the desolate sixties in Manhattan, Frankel has done that rare, great thing: shown us a world within a world of literary, filmic, and human longing and linked singular gems of history into a fresh and truthful mosaic." 
—Sheila Weller, New York Times bestselling–author of Girls Like Us and Carrie Fisher: A Life on the Edge

"In Shooting Midnight Cowboy, Glenn Frankel illuminates the cultural forces that fed the creation of an iconic 1960s classic. This perceptive work elegantly captures how a movie can embody a moment in time." 
—Julie Salamon, author of The Devil's Candy and An Innocent Bystander

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